1 00:00:04,600 --> 00:00:06,040 I saw a girl kill herself. 2 00:00:07,200 --> 00:00:09,920 -Ew! -Yeah, and she looked exactly like me. 3 00:00:10,000 --> 00:00:12,840 We're clones. We're like lab rats in an illegal experiment. 4 00:00:12,920 --> 00:00:16,320 If it were my experiment, I would put an observer close to the subject 5 00:00:16,400 --> 00:00:19,040 to keep tabs and accumulate data. 6 00:00:19,120 --> 00:00:21,240 -Where is Beth? -She killed herself. 7 00:00:21,320 --> 00:00:22,720 I took her identity. 8 00:00:22,800 --> 00:00:24,320 You're her monitor, aren't you? 9 00:00:24,400 --> 00:00:27,000 Doctors came and medically examined her in her sleep. 10 00:00:27,080 --> 00:00:29,000 I know exactly who you are. You're a... 11 00:00:29,080 --> 00:00:31,360 A sleazy watcher spy! 12 00:00:31,440 --> 00:00:33,920 CHOKING 13 00:00:34,000 --> 00:00:35,880 FOOD PROCESSOR RUNNING Aynsley? 14 00:00:35,960 --> 00:00:37,760 The German was sick. Should I be worried about that? 15 00:00:37,840 --> 00:00:39,160 COUGHING 16 00:00:39,240 --> 00:00:40,760 I'm sick, Delphine. 17 00:00:40,840 --> 00:00:43,760 Art, you gotta see this. It's a match on the Jane Doe print. 18 00:00:43,840 --> 00:00:45,520 Why the hell does she look like Beth? 19 00:00:46,240 --> 00:00:48,400 Sarah Manning! Put your hands on your head! 20 00:00:48,480 --> 00:00:49,640 You're under arrest. 21 00:00:49,960 --> 00:00:52,120 -I didn't kill her, Art! -Do you know who did? 22 00:00:52,200 --> 00:00:54,000 Detective, this interview is over. 23 00:00:54,080 --> 00:00:55,720 This is Amelia. 24 00:00:55,800 --> 00:00:57,240 I'm your birth mother. 25 00:00:57,320 --> 00:01:00,520 I had twins, one to the state, and one to the judge. 26 00:01:00,600 --> 00:01:01,600 Helena. 27 00:01:01,680 --> 00:01:03,720 I grew up pure in a convent in Ukraine. 28 00:01:03,800 --> 00:01:06,440 You killed someone I've been dreaming about my whole life. 29 00:01:06,760 --> 00:01:08,200 GUNSHOTS 30 00:01:08,720 --> 00:01:10,040 RACHEL: Sarah Manning. 31 00:01:10,120 --> 00:01:12,440 My name is Rachel Duncan, and we are going to come to terms. 32 00:01:12,520 --> 00:01:14,480 COSIMA: Sarah? You can't make a deal. 33 00:01:14,560 --> 00:01:17,240 Any freedom they promise is bullshit. 34 00:01:17,320 --> 00:01:18,600 They've patented us. 35 00:01:18,680 --> 00:01:20,560 COSIMA: Sarah, they could claim Kira. 36 00:01:21,200 --> 00:01:23,160 Kira! 37 00:01:40,480 --> 00:01:42,760 -Pick up, pick up. -Leave it for Felix. 38 00:01:42,840 --> 00:01:44,680 Fee! Shit. 39 00:01:44,760 --> 00:01:48,280 Fee, where are you? They took 'em. 40 00:01:48,360 --> 00:01:50,200 They took Kira and Mrs. S. 41 00:01:54,480 --> 00:01:56,200 THUNDER 42 00:01:56,800 --> 00:01:58,080 DOOR CHIMING 43 00:01:59,120 --> 00:02:01,160 FOLK MUSIC PLAYING 44 00:02:02,680 --> 00:02:04,520 You look like you could use a coffee. 45 00:02:05,720 --> 00:02:07,080 Yeah, I'll take tea. 46 00:02:07,160 --> 00:02:08,680 Tea it is. 47 00:02:21,640 --> 00:02:22,880 OPERATOR: The number you have reached 48 00:02:22,960 --> 00:02:24,760 -is not in service at this time. -Shit! 49 00:02:28,160 --> 00:02:31,120 The number you have reached is not in service at this time. 50 00:02:44,160 --> 00:02:46,840 Hi, you've reached Paul Dierden. Please leave a message. 51 00:02:46,920 --> 00:02:50,320 Paul, what the hell is going on? 52 00:02:50,400 --> 00:02:53,360 Did Rachel just take my family? I need you to call me now. 53 00:03:00,360 --> 00:03:02,560 Nah, first one's on the house. 54 00:03:03,800 --> 00:03:05,600 Thanks. I appreciate that. 55 00:03:20,320 --> 00:03:21,880 PHONE RINGING 56 00:03:25,000 --> 00:03:26,320 Paul? 57 00:03:26,400 --> 00:03:28,160 RACHEL: Hello, Sarah. 58 00:03:28,240 --> 00:03:32,000 There is a painless way to reunite with Siobhan and Kira. 59 00:03:33,920 --> 00:03:35,880 Simply surrender yourself. 60 00:03:37,480 --> 00:03:39,240 Rachel, you bitch. 61 00:03:39,480 --> 00:03:41,880 Me and Kira are not your bloody subjects. 62 00:03:41,960 --> 00:03:43,400 Neither is Siobhan. 63 00:03:43,480 --> 00:03:45,720 The terms of my offer still stand. 64 00:03:45,800 --> 00:03:47,280 We'll pretend you didn't run. 65 00:03:47,360 --> 00:03:50,800 Rachel, if you touch one hair on my daughter's head, I will... 66 00:03:52,240 --> 00:03:54,440 DOOR CHIMING Evenin'. 67 00:03:54,880 --> 00:03:57,080 Evenin', fellas. What can I get ya? 68 00:03:58,160 --> 00:04:00,200 Are your eggs the domesticated type? 69 00:04:00,280 --> 00:04:01,680 What do you mean? 70 00:04:01,760 --> 00:04:04,600 I believe my friend is asking for free-range eggs. 71 00:04:05,400 --> 00:04:06,880 Undomesticated. 72 00:04:06,960 --> 00:04:10,600 No free-range, no free-run. Just normal eggs. 73 00:04:11,120 --> 00:04:12,640 Then they're not normal. 74 00:04:12,720 --> 00:04:15,200 Your chickens have been interfered with. 75 00:04:15,360 --> 00:04:17,800 They're not my chickens. They're just my eggs. 76 00:04:32,600 --> 00:04:34,680 I bet you ordered up a whole mess of eggs. 77 00:04:35,840 --> 00:04:36,960 Who are you? 78 00:04:37,080 --> 00:04:39,520 -She's got the lilt. -Yeah. 79 00:04:41,840 --> 00:04:43,320 This is the one. 80 00:04:45,040 --> 00:04:46,560 Uh-uh-uh. 81 00:04:56,600 --> 00:04:58,040 After you. 82 00:04:59,480 --> 00:05:02,040 I think we'll let the lady leave on her own. 83 00:05:03,080 --> 00:05:04,600 Ease on out now. 84 00:05:07,160 --> 00:05:08,680 Are you sure, Sarah? 85 00:05:10,680 --> 00:05:12,720 We've come here to take you to Kira. 86 00:05:14,320 --> 00:05:15,520 Where is she? 87 00:05:25,840 --> 00:05:27,000 Sarah! 88 00:05:37,440 --> 00:05:38,680 Sarah! 89 00:05:40,080 --> 00:05:41,680 There's nowhere to run. 90 00:05:44,720 --> 00:05:46,800 -Sarah! -Shit. 91 00:05:54,280 --> 00:05:56,200 We're your best option. 92 00:06:06,360 --> 00:06:08,040 GRUNTING 93 00:06:20,880 --> 00:06:22,280 Ah! 94 00:06:29,360 --> 00:06:31,200 THUNDER 95 00:06:32,360 --> 00:06:34,160 THEME SONG PLAYING 96 00:06:36,240 --> 00:06:41,000 97 00:06:44,760 --> 00:06:49,000 98 00:06:52,960 --> 00:06:56,920 99 00:06:57,000 --> 00:07:01,000 100 00:07:01,240 --> 00:07:03,960 101 00:07:04,240 --> 00:07:06,080 TRANCE MUSIC PLAYING 102 00:07:26,280 --> 00:07:29,080 So, tonight you should be extra sweet to me. 103 00:07:29,160 --> 00:07:30,240 Fee! 104 00:07:30,320 --> 00:07:31,720 Holy shit! Hi! 105 00:07:31,800 --> 00:07:33,760 -Where have you been? -Bloody hell, what? 106 00:07:33,840 --> 00:07:36,760 What are you doing? Is this why you haven't answered your phone? 107 00:07:36,840 --> 00:07:38,640 Yeah, 'cause I'm in the midst of a five-way. 108 00:07:38,720 --> 00:07:41,760 We have an emergency, and you're high. You're kidding me! 109 00:07:41,840 --> 00:07:43,120 What are you wearing? 110 00:07:44,240 --> 00:07:45,640 What? Sarah, what? 111 00:07:45,720 --> 00:07:47,320 They took Kira! 112 00:07:48,600 --> 00:07:51,680 Mrs. S' truck was still there, her purse. 113 00:07:51,760 --> 00:07:54,080 The place was trashed like they'd been dragged out... 114 00:07:54,160 --> 00:07:56,240 Okay, wait, can we just, can we back up a sec, okay? 115 00:07:56,320 --> 00:07:57,800 No, we need to go, Fee! 116 00:07:57,880 --> 00:08:00,600 How do we know that this isn't Helena again, Sarah? 117 00:08:00,680 --> 00:08:02,600 -No, she's gone. -She's gone where? 118 00:08:02,680 --> 00:08:04,320 Just gone, okay? 119 00:08:04,640 --> 00:08:06,080 PHONE RINGING Shit! 120 00:08:06,160 --> 00:08:07,480 Okay. Wait, wait, wait! Wait. 121 00:08:07,560 --> 00:08:09,280 You said all their other phones have been disconnected. 122 00:08:09,360 --> 00:08:11,480 Well, why isn't yours disconnected, yeah? 123 00:08:11,560 --> 00:08:13,600 Probably because they're tracking that stupid pink burner. 124 00:08:13,680 --> 00:08:14,920 Yeah, you're probably right. 125 00:08:17,400 --> 00:08:19,480 Hello? Hello? 126 00:08:19,560 --> 00:08:20,800 It's Paul, Sarah. 127 00:08:21,000 --> 00:08:23,440 -Who else is listening? -You know my situation. 128 00:08:23,520 --> 00:08:25,360 Tell 'em I want to talk to Mrs. S. 129 00:08:28,120 --> 00:08:30,720 You're going to have to come in for that. I don't see a better choice, Sarah. 130 00:08:30,800 --> 00:08:32,800 I'll meet you alone. 131 00:08:32,880 --> 00:08:34,400 Wait for my call. 132 00:08:37,360 --> 00:08:39,720 She's smarter than you think. 133 00:08:39,800 --> 00:08:42,000 Do one more thing to help her 134 00:08:42,080 --> 00:08:43,960 so I can put a bullet in your head. 135 00:08:45,520 --> 00:08:48,240 No, no. You can't meet Paul. No. 136 00:08:48,360 --> 00:08:51,520 -No, not in person, no. -No. What... Hey, ow! 137 00:08:51,600 --> 00:08:53,680 Shit. Sorry, sorry. 138 00:08:55,520 --> 00:08:59,120 Okay. Come on, get your shit together, you silly tit. 139 00:08:59,200 --> 00:09:02,200 I need you to make a side trip for me, yeah? 140 00:09:05,880 --> 00:09:07,560 MUSIC PLAYING QUIETLY 141 00:09:09,240 --> 00:09:12,120 Please just come to the Dyad event. 142 00:09:13,360 --> 00:09:15,320 Hey, think what you're asking me to do. 143 00:09:16,760 --> 00:09:19,800 We can negotiate your position, but you need to start talking to Leekie. 144 00:09:19,880 --> 00:09:20,920 SIGH 145 00:09:21,000 --> 00:09:23,400 -We need the Dyad now. -We? 146 00:09:23,480 --> 00:09:25,960 You. If you are sick. 147 00:09:34,240 --> 00:09:37,560 And our relationship can be whatever we want. 148 00:09:37,640 --> 00:09:39,120 We have leverage. 149 00:09:39,480 --> 00:09:40,920 You still work for Leekie. 150 00:09:41,000 --> 00:09:42,920 On your behalf, to protect you. 151 00:09:46,640 --> 00:09:48,920 These samples aren't gonna go to Dyad, 152 00:09:49,000 --> 00:09:51,760 and you can't tell them that we know about the patent either. 153 00:09:51,840 --> 00:09:55,160 I'd do my own research first. 154 00:09:55,240 --> 00:09:59,120 This is my biology. It's my decision. Okay? 155 00:10:00,320 --> 00:10:01,520 Okay. 156 00:10:02,240 --> 00:10:03,480 You're right. 157 00:10:12,520 --> 00:10:14,560 KNOCKING ON DOOR 158 00:10:18,160 --> 00:10:19,480 KNOCKING ON DOOR 159 00:10:23,360 --> 00:10:24,760 What the dickens? 160 00:10:29,520 --> 00:10:31,520 Rachel took Kira? She can't do that. 161 00:10:31,600 --> 00:10:32,840 We agreed to a code of conduct. 162 00:10:32,920 --> 00:10:34,840 Yeah, well, Sarah didn't sign a deal, did she? 163 00:10:34,920 --> 00:10:36,240 Shh, shh. 164 00:10:36,320 --> 00:10:37,480 Sorry. 165 00:10:37,960 --> 00:10:40,520 I was supposed to ask you something, but I just... 166 00:10:40,600 --> 00:10:42,040 Oh, can we borrow a gun? 167 00:10:42,520 --> 00:10:44,200 Oh, right, you need a gun. 168 00:10:44,280 --> 00:10:46,720 Apparently, I'm the go-to girl for guns, right? 169 00:10:46,800 --> 00:10:48,680 Okay, Alison, come here. We... 170 00:10:50,360 --> 00:10:51,880 Holy shit. 171 00:10:51,960 --> 00:10:54,720 What is with the balls of your thumbs? They're so bouncy. 172 00:10:54,800 --> 00:10:56,960 Felix, are you high? 173 00:10:57,200 --> 00:10:59,880 Well, I didn't know there was gonna be a huge emergency, did I? 174 00:10:59,960 --> 00:11:02,040 Be quiet. My children are sleeping. 175 00:11:02,120 --> 00:11:04,560 Look, I do not keep guns in my house anymore, 176 00:11:04,640 --> 00:11:06,960 they're at the range in my locker. 177 00:11:07,040 --> 00:11:09,200 Could you maybe just go and fetch us one, please? 178 00:11:09,280 --> 00:11:11,320 Sarah can't... 179 00:11:11,400 --> 00:11:15,120 just go around shooting people with my guns. They're registered to me. 180 00:11:15,200 --> 00:11:17,920 I'm trying to get my family life back in order. 181 00:11:18,840 --> 00:11:22,760 I'm not drinking anymore, no more little helpers. 182 00:11:23,840 --> 00:11:25,280 I'm doing a musical. 183 00:11:25,360 --> 00:11:27,240 Oh, my god, not Cats. 184 00:11:27,320 --> 00:11:29,520 KNOCKING ON DOOR DONNIE: Alison? 185 00:11:30,720 --> 00:11:32,240 Oh, my god. 186 00:11:37,280 --> 00:11:38,480 Hello, Donnie. 187 00:11:38,560 --> 00:11:39,800 SHE CLEARS HER THROAT 188 00:11:39,880 --> 00:11:41,480 Who are you talking to? 189 00:11:41,560 --> 00:11:42,960 Um... I'm... 190 00:11:43,040 --> 00:11:46,320 I'm running lines for the play, obviously. 191 00:11:46,400 --> 00:11:48,040 At 4:00 a.m.? 192 00:11:48,360 --> 00:11:50,680 I'm not in control of the muse. 193 00:11:50,760 --> 00:11:53,520 -The muse? -Mm-hmm. 194 00:11:53,600 --> 00:11:56,200 -You wouldn't understand. -No, I don't think so. 195 00:11:56,280 --> 00:11:57,920 Just go to bed. 196 00:11:58,560 --> 00:12:00,880 -Fine. Don't be long. -Okay. 197 00:12:02,120 --> 00:12:04,880 FELIX SQUEAKING Ahh, ahh! 198 00:12:05,600 --> 00:12:07,280 What are you wearing? 199 00:12:07,360 --> 00:12:09,440 -Oh, yeah! -No, no, no, no. 200 00:12:09,520 --> 00:12:13,800 Look, I might be able to help with a firearm, unregistered. 201 00:12:14,760 --> 00:12:17,480 -Seriously? -Yes. I have a friend. 202 00:12:18,560 --> 00:12:20,240 Let's call him Ramon. 203 00:12:20,920 --> 00:12:23,080 You know a gun dealer named Ramon? 204 00:12:23,160 --> 00:12:25,560 He's a gun enthusiast. 205 00:12:25,640 --> 00:12:28,520 He has many jobs, he's very hardworking. 206 00:12:28,680 --> 00:12:31,480 -Okay. -Tell Sarah to meet me 207 00:12:31,560 --> 00:12:33,960 at Glendale Community Theater, 4:00 p.m. 208 00:12:35,400 --> 00:12:36,640 SPEAKING GERMAN 209 00:12:36,720 --> 00:12:39,040 Ja, die meisten der patente wurden direkt 210 00:12:39,120 --> 00:12:42,680 nach der Entscheidung des Supreme Court eingereicht werden. 211 00:12:42,760 --> 00:12:44,560 Ja, sicher. 212 00:12:44,640 --> 00:12:46,440 Vielen Dank, Herr Schlessinger. 213 00:12:46,960 --> 00:12:48,720 PHONE RINGING 214 00:12:49,480 --> 00:12:50,680 Paul here. 215 00:12:50,760 --> 00:12:52,560 SARAH: Here's how this is gonna work. 216 00:13:09,040 --> 00:13:10,760 You Paul? 217 00:13:11,440 --> 00:13:12,600 Yeah. 218 00:13:12,680 --> 00:13:14,160 Twenty bucks. 219 00:13:16,960 --> 00:13:18,880 PHONE RINGING 220 00:13:22,600 --> 00:13:24,560 Can't trust anyone these days. 221 00:13:24,840 --> 00:13:26,320 I knew they'd be all over you. 222 00:13:26,400 --> 00:13:28,160 Yeah, you got about 30 seconds. 223 00:13:28,240 --> 00:13:31,840 Okay, well, now that nobody's listening, where exactly are they? 224 00:13:31,920 --> 00:13:34,040 All they gave me is a message from Rachel. 225 00:13:34,120 --> 00:13:37,920 Tomorrow morning, she's getting on a private plane, with Kira. 226 00:13:38,000 --> 00:13:39,400 You could be on that plane with them or not. 227 00:13:39,480 --> 00:13:41,560 What? She's just a child, Paul. 228 00:13:41,640 --> 00:13:42,960 How can they use her as leverage? 229 00:13:43,040 --> 00:13:45,120 Sarah, I can't tell you what to do, but 230 00:13:45,440 --> 00:13:47,520 tonight there's a big event at the Dyad. 231 00:13:47,600 --> 00:13:49,920 Rachel will be there. 232 00:13:50,000 --> 00:13:51,280 Okay, what else? 233 00:13:51,360 --> 00:13:54,400 She's, uh, insulated. Daniel rarely leaves her side. 234 00:13:54,480 --> 00:13:56,600 But now he's tasked with bringing you back. 235 00:13:56,680 --> 00:13:58,160 He's coming after you. 236 00:14:21,720 --> 00:14:23,240 She says, "Up yours." 237 00:14:49,960 --> 00:14:52,040 Hey, can I borrow your phone? 238 00:14:52,960 --> 00:14:54,360 Can I touch your boob? 239 00:14:55,880 --> 00:14:57,200 Cheeky. 240 00:14:57,960 --> 00:14:59,400 PHONE BEEP 241 00:14:59,480 --> 00:15:01,640 It's like a glitzy corporate event, Sarah. 242 00:15:01,720 --> 00:15:03,920 I don't see what good a gun is gonna do. 243 00:15:04,000 --> 00:15:05,640 She's planning on gate-crashing. 244 00:15:05,720 --> 00:15:07,920 I don't have a plan yet. 245 00:15:08,000 --> 00:15:09,360 Cosima, where's Delphine? 246 00:15:09,440 --> 00:15:12,360 At the Dyad, getting ready. 247 00:15:12,440 --> 00:15:15,440 She wants me to go to this thing. Maybe I should. 248 00:15:15,520 --> 00:15:18,120 I smell lesbians in my bed last night. 249 00:15:18,200 --> 00:15:21,120 Look, I'm not gonna apologize for my heart, okay? 250 00:15:21,200 --> 00:15:23,960 But I promise both of you guys that I'm not gonna get fooled again. 251 00:15:24,040 --> 00:15:25,680 Why don't I talk to them, Sarah? 252 00:15:25,760 --> 00:15:28,480 No, no, no, no. Just sit tight, okay? 253 00:15:28,560 --> 00:15:31,040 I'll feel better when I have a gun. 254 00:15:31,120 --> 00:15:32,720 This is totally crazy. 255 00:15:43,520 --> 00:15:44,720 Oh. 256 00:15:52,880 --> 00:15:55,400 -Morning, Mrs. Hendrix. -Hello, Ramon. 257 00:15:56,160 --> 00:15:57,600 Did I catch you on a break? 258 00:15:57,680 --> 00:16:00,320 Oh, customer service never takes a break at Econo-Mart. 259 00:16:02,280 --> 00:16:03,680 So, uh... 260 00:16:04,840 --> 00:16:07,160 Avomax? Zaraphen? 261 00:16:07,240 --> 00:16:08,520 Something between A and Z? 262 00:16:08,600 --> 00:16:10,920 No, thank you. I'm actually taking a break. 263 00:16:12,080 --> 00:16:13,640 Oh. Mmm. 264 00:16:15,200 --> 00:16:17,480 -Kickin' it natural? -Uh, no. No, no, no. 265 00:16:17,560 --> 00:16:19,480 Not interested in natural either. I have a... 266 00:16:19,560 --> 00:16:22,560 I have a friend who needs a piece. 267 00:16:24,080 --> 00:16:25,240 Maker. 268 00:16:25,320 --> 00:16:26,800 Mrs. Hendrix. 269 00:16:29,960 --> 00:16:31,600 I have a nice selection. 270 00:16:31,680 --> 00:16:33,320 All clean, numbers filed. 271 00:16:33,400 --> 00:16:36,240 I've you like a revolver, this .45 is a, uh... 272 00:16:37,040 --> 00:16:38,640 Pretty badass. 273 00:16:38,720 --> 00:16:40,280 Matte black. 274 00:16:41,400 --> 00:16:43,520 Is that a lady grip? 275 00:16:44,840 --> 00:16:47,240 Hot. Practical. 276 00:16:47,320 --> 00:16:48,520 Mmm. 277 00:16:49,280 --> 00:16:50,880 Thank you, Ramon. 278 00:16:53,360 --> 00:16:54,800 So, how's your mother? 279 00:16:59,080 --> 00:17:02,400 COSIMA: Hey, um, one subject is showing fresh symptoms. 280 00:17:02,480 --> 00:17:05,200 Do you think you could take a closer look at their profile for me? 281 00:17:05,280 --> 00:17:08,920 You mean the one with some kind of synthetic sequence you refuse to explain? 282 00:17:09,000 --> 00:17:10,520 COSIMA: Yeah, that one. 283 00:17:10,600 --> 00:17:14,320 No, I can't, because you told me to erase the data. 284 00:17:14,400 --> 00:17:16,720 I'm sending you a new blood sample. 285 00:17:16,800 --> 00:17:18,440 Dr. Cormier. 286 00:17:18,520 --> 00:17:21,960 Dr. Leekie asked me to escort you upstairs as soon as you arrived. 287 00:17:22,600 --> 00:17:23,920 Of course. 288 00:17:38,520 --> 00:17:40,680 Is there something going on I should know about? 289 00:17:42,000 --> 00:17:44,160 Where is Cosima, Delphine? 290 00:17:45,400 --> 00:17:47,600 Exactly where you want her, 291 00:17:47,680 --> 00:17:51,040 here in town, considering your employment offer. 292 00:17:51,840 --> 00:17:54,560 Be careful playing for the other team, Delphine. 293 00:17:54,640 --> 00:17:55,920 Cosima is scared of us. 294 00:17:56,000 --> 00:17:57,520 She's seen how you've persecuted Sarah. 295 00:17:57,600 --> 00:18:00,760 Sarah is not your subject. 296 00:18:04,680 --> 00:18:07,040 You're a eugenicist, Dr. Cormier. 297 00:18:07,120 --> 00:18:09,120 Is that a dirty word for you as a scientist? 298 00:18:09,200 --> 00:18:10,480 No. 299 00:18:11,720 --> 00:18:15,560 I want Cosima here. Full time, starting tonight. 300 00:18:15,640 --> 00:18:16,920 So do I. 301 00:18:18,040 --> 00:18:23,280 324B21 is showing the same respiratory symptoms as the other two. 302 00:18:25,080 --> 00:18:26,600 Congratulations. 303 00:18:26,680 --> 00:18:29,480 I'm invested, which I'm sure is what you wanted. 304 00:18:39,520 --> 00:18:41,400 PEOPLE TRUMPETING THEIR LIPS 305 00:18:42,920 --> 00:18:45,920 Okay, people, listen up. 306 00:18:46,000 --> 00:18:48,080 Let's gather. Everyone, let's gather. 307 00:18:48,160 --> 00:18:50,400 Circle, please. Hands. 308 00:18:51,560 --> 00:18:55,880 Troupe, in three days, we move to the main stage for dress rehearsal. 309 00:18:55,960 --> 00:18:57,640 In four days, we open. 310 00:18:59,120 --> 00:19:01,680 Losing Aynsley is... 311 00:19:03,240 --> 00:19:05,680 HE SIGHS ...heartbreaking. 312 00:19:05,760 --> 00:19:08,920 But we are not civilians, 313 00:19:09,000 --> 00:19:11,760 this is the theater, 314 00:19:11,840 --> 00:19:15,640 and we all know that the show must go on. 315 00:19:16,200 --> 00:19:17,680 So, 316 00:19:17,760 --> 00:19:22,560 Kelsey is going to be stepping out of the wings to play Laura. 317 00:19:23,520 --> 00:19:25,680 Um, excuse me. 318 00:19:27,040 --> 00:19:29,200 I'm your Laura. 319 00:19:29,280 --> 00:19:30,960 No, Ali. 320 00:19:33,040 --> 00:19:34,680 HE SIGHS 321 00:19:34,760 --> 00:19:36,680 We all know how close you are to this. 322 00:19:36,760 --> 00:19:39,120 But you have rehearsed with Aynsley, 323 00:19:39,200 --> 00:19:41,000 you know the part. 324 00:19:41,080 --> 00:19:43,360 We want you to play Sheila. 325 00:19:45,360 --> 00:19:47,400 You want me to be the lead? 326 00:19:47,480 --> 00:19:48,960 Yes. 327 00:19:49,880 --> 00:19:51,440 Give it up. 328 00:19:51,520 --> 00:19:53,160 APPLAUSE 329 00:19:56,480 --> 00:19:58,720 -You can do this. -Okay. 330 00:19:58,800 --> 00:20:01,000 Show them, hmm? Shine. 331 00:20:01,160 --> 00:20:03,600 Okay, people, let's all shine onstage. 332 00:20:04,160 --> 00:20:05,840 Let's pick it up from the point 333 00:20:05,920 --> 00:20:09,920 where everyone helps Sheila clean up after the unfortunate death. 334 00:20:10,160 --> 00:20:12,280 All right? Mop. 335 00:20:12,360 --> 00:20:13,560 Mop. 336 00:20:13,640 --> 00:20:15,000 337 00:20:15,080 --> 00:20:17,880 Stop crying, Carter. Deep breath. 338 00:20:17,960 --> 00:20:20,320 One, two, three, four. 339 00:20:21,680 --> 00:20:25,040 sing away the hours 340 00:20:25,120 --> 00:20:28,040 are sore 341 00:20:28,120 --> 00:20:30,920 to the heavens 342 00:20:31,000 --> 00:20:34,440 our mighty roar 343 00:20:34,520 --> 00:20:38,400 wipe away the plasma 344 00:20:38,480 --> 00:20:41,640 345 00:20:41,720 --> 00:20:44,640 control my asthma 346 00:20:44,720 --> 00:20:47,680 347 00:20:47,760 --> 00:20:49,240 INHALING 348 00:20:49,320 --> 00:20:50,480 Yes. 349 00:20:50,560 --> 00:20:52,920 Good! Very, very good! 350 00:20:53,000 --> 00:20:54,760 POLICE RADIO CHATTER 351 00:21:04,280 --> 00:21:06,200 Alison Hendrix is in a musical. 352 00:21:07,640 --> 00:21:10,040 What? What musical? 353 00:21:10,440 --> 00:21:12,120 It ain't Cats. 354 00:21:12,200 --> 00:21:13,640 I think she's playing the lead. 355 00:21:13,720 --> 00:21:15,400 Beth's dead, German's dead, 356 00:21:15,480 --> 00:21:17,880 Sarah Manning gets sprung on the cusp of confessing, 357 00:21:17,960 --> 00:21:21,760 and we're left with Alison Hendrix, model citizen and thespian. 358 00:21:21,840 --> 00:21:23,560 -Yeah. -Yeah. 359 00:21:27,440 --> 00:21:28,720 You're kidding me. 360 00:21:28,800 --> 00:21:30,360 -It's her. -Oh, shit. 361 00:21:30,440 --> 00:21:32,600 We're not supposed to be on this thing, Angie. 362 00:21:35,520 --> 00:21:36,760 Damn it. 363 00:21:37,840 --> 00:21:39,840 -Hey, long time no see. -Shit. 364 00:21:39,920 --> 00:21:42,920 -Sarah, don't run. -Come on. 365 00:22:00,760 --> 00:22:02,360 What do you want with Alison Hendrix? 366 00:22:02,440 --> 00:22:04,520 I just told you. They killed a man right in front of me, Art. 367 00:22:04,600 --> 00:22:07,760 Hey, I'm talking to you. Tell me what you are to each other, to Beth. 368 00:22:07,840 --> 00:22:09,160 We don't know. That's the whole point. 369 00:22:09,240 --> 00:22:10,880 -Yeah? -Yeah. 370 00:22:10,960 --> 00:22:12,400 The diner, 371 00:22:12,480 --> 00:22:15,280 sounds like the two bodies that Grigson and Diaz caught this morning. 372 00:22:15,360 --> 00:22:16,600 I know. She probably does too. 373 00:22:16,680 --> 00:22:18,000 Yeah, those are the people behind it. 374 00:22:18,080 --> 00:22:19,440 The same ones that got me out of jail. 375 00:22:19,520 --> 00:22:20,720 She's making this stuff up. 376 00:22:20,800 --> 00:22:24,960 Then arrest me. You can't, can you? Huh? 377 00:22:25,680 --> 00:22:27,600 -Just come on. -Come on. 378 00:22:29,640 --> 00:22:31,400 Let's go check her story out. 379 00:22:36,880 --> 00:22:38,640 SPEAKING QUIETLY 380 00:22:41,480 --> 00:22:44,640 It's a fortunate position you find yourself in, Paul. 381 00:22:44,720 --> 00:22:47,080 How is that, Miss Duncan? 382 00:22:47,160 --> 00:22:50,880 You're the only one who seems to know what makes Sarah tick. 383 00:22:58,080 --> 00:23:00,360 I need your office this evening. 384 00:23:00,440 --> 00:23:03,440 It's the Koreas. Both of them. 385 00:23:03,560 --> 00:23:05,880 Ah. Well, good. 386 00:23:06,280 --> 00:23:07,880 Congratulations. 387 00:23:09,800 --> 00:23:13,000 Paul, have you ever been to Taiwan? 388 00:23:13,240 --> 00:23:15,120 Taiwan, no. 389 00:23:15,560 --> 00:23:17,760 I don't suppose you speak Mandarin? 390 00:23:18,560 --> 00:23:19,800 No. 391 00:23:19,880 --> 00:23:23,600 Hm, pity. Pack a bag. We leave Tuesday. 392 00:23:24,560 --> 00:23:26,000 Good luck, Paul. 393 00:23:33,640 --> 00:23:36,120 Keeping him up close and personal? 394 00:23:36,760 --> 00:23:38,080 Of course. 395 00:23:38,160 --> 00:23:41,520 Rachel, did you seriously kidnap Sarah's people? 396 00:23:43,840 --> 00:23:46,600 The less you know about it, the better. 397 00:23:47,200 --> 00:23:50,880 The child may be a biological goldmine, but so is her mother. 398 00:23:50,960 --> 00:23:53,480 Daniel will recover Sarah. 399 00:23:54,360 --> 00:23:56,400 -Is that really necessary? -Yes. 400 00:23:57,400 --> 00:23:59,680 And not your concern. 401 00:24:00,560 --> 00:24:03,200 We have a big evening. You need to be on point. 402 00:24:08,320 --> 00:24:11,080 "To combine is to create. 403 00:24:13,400 --> 00:24:16,360 To engineer, divine." 404 00:24:17,880 --> 00:24:19,760 You'll do wonderfully, Aldous. 405 00:24:27,400 --> 00:24:29,080 Come on, just go check it out. 406 00:24:29,160 --> 00:24:31,360 She probably dropped those bodies herself. 407 00:24:35,920 --> 00:24:37,680 They have my daughter, Art. 408 00:24:42,320 --> 00:24:44,040 Hey. So, what's up? 409 00:24:44,120 --> 00:24:46,880 Oh, best shooting we caught in two years, and the Federales walked in. 410 00:24:46,960 --> 00:24:48,360 Check it out. 411 00:24:54,880 --> 00:24:57,080 -How you doin', Ange? -So, what happened? 412 00:24:57,160 --> 00:24:58,840 George Hudson, line cook. 413 00:24:58,920 --> 00:25:01,040 Forty-five to the sixth chakra. 414 00:25:01,480 --> 00:25:04,160 Cowboy was still waiting, but shotgun to the midsection. 415 00:25:04,240 --> 00:25:05,520 What chakra is that? 416 00:25:05,600 --> 00:25:07,160 Uh, somewhere between the third and the fourth. 417 00:25:07,280 --> 00:25:09,880 There's a possible eyewitness. A tea drinker. 418 00:25:11,000 --> 00:25:12,440 A tea drinker? 419 00:25:13,160 --> 00:25:15,080 Yeah, digs out a wall, escapes out the back. 420 00:25:15,960 --> 00:25:18,680 Okay. Thanks, man. 421 00:25:18,760 --> 00:25:21,040 Sarah, if your daughter's missing, we'll put out an AMBER Alert. 422 00:25:21,120 --> 00:25:24,560 These people are powerful. They got me out of jail. 423 00:25:24,640 --> 00:25:26,240 You can't do anything. 424 00:25:26,320 --> 00:25:28,360 Just let me go, please. 425 00:25:29,400 --> 00:25:31,240 Just before the lawyer showed up, 426 00:25:31,320 --> 00:25:32,920 you were about to tell me everything, 427 00:25:33,000 --> 00:25:34,440 what this really is. 428 00:25:34,520 --> 00:25:36,680 You don't want to know everything, Art. 429 00:25:40,040 --> 00:25:41,920 You don't want Angie to know anything. 430 00:25:46,400 --> 00:25:49,320 Feds took over the scene from Grigson and Diaz. 431 00:25:49,400 --> 00:25:51,880 -Which feds? -I didn't get an acronym. 432 00:25:59,560 --> 00:26:01,120 Seriously? 433 00:26:01,200 --> 00:26:04,000 ART: We're off the case that doesn't exist, Angie. 434 00:26:04,080 --> 00:26:06,920 You want to walk her in there and hand her over, you go right ahead. 435 00:26:10,400 --> 00:26:11,920 Come on, you. 436 00:26:15,880 --> 00:26:17,120 Thank you. 437 00:26:17,200 --> 00:26:19,120 ANGELA: "Thank you"? You miss us? 438 00:26:19,200 --> 00:26:21,360 You miss Beth's life, you little grifter? 439 00:26:21,440 --> 00:26:22,600 Piss off. 440 00:26:27,840 --> 00:26:29,920 She almost trusts me, Angie. 441 00:26:31,960 --> 00:26:35,040 No, I'm not letting you turn yourself over to Neolutionists. 442 00:26:35,120 --> 00:26:38,040 What am I meant to do, Fee? Hey? 443 00:26:38,120 --> 00:26:41,000 If Rachel's got Kira on a plane, I have to be with her. 444 00:26:41,080 --> 00:26:43,320 Look, look, Sarah, Delphine put me on the list 445 00:26:43,400 --> 00:26:44,920 for the Dyad tonight, okay? 446 00:26:45,000 --> 00:26:48,040 I can go in there and, like, demand that Rachel let them go. 447 00:26:48,120 --> 00:26:50,880 Rachel doesn't take demands, Cosima. 448 00:26:50,960 --> 00:26:52,640 That's why I needed the bloody gun. 449 00:26:52,720 --> 00:26:54,800 KNOCKING ON DOOR 450 00:26:54,880 --> 00:26:56,400 Anybody in the house? 451 00:26:57,440 --> 00:26:58,680 It's Ramon. 452 00:26:59,360 --> 00:27:00,640 Ramon? 453 00:27:02,040 --> 00:27:03,480 Delivery from Mrs. Hendrix. 454 00:27:03,560 --> 00:27:05,360 Well, those are so Alison. 455 00:27:05,840 --> 00:27:07,400 It's what inside that counts. 456 00:27:08,160 --> 00:27:10,040 Huh? Am I wrong, sailor? 457 00:27:13,640 --> 00:27:14,920 Whoa. 458 00:27:22,000 --> 00:27:24,360 Ah. Seriously, Sarah? 459 00:27:24,440 --> 00:27:25,920 What good is that gonna do? 460 00:27:26,920 --> 00:27:29,520 Alison, you know some very strange people. 461 00:27:30,080 --> 00:27:31,600 Oh, they look nice. 462 00:27:31,680 --> 00:27:33,200 Sorry I couldn't bring them in person. 463 00:27:33,280 --> 00:27:34,880 I have scads of costumes to alter. 464 00:27:34,960 --> 00:27:36,560 Hey, thanks for the card too. 465 00:27:36,640 --> 00:27:38,000 Are you making fun of me? 466 00:27:38,080 --> 00:27:39,320 I made that! 467 00:27:39,400 --> 00:27:43,040 No, no, no, no. It's good to see you, Alison. 468 00:27:43,120 --> 00:27:44,680 We love you, Alison. 469 00:27:44,760 --> 00:27:47,720 Well, normally I'd say don't do anything rash, 470 00:27:47,800 --> 00:27:51,240 but rash seems to be a genetic trait, so 471 00:27:51,480 --> 00:27:53,160 go get Kira. 472 00:27:53,520 --> 00:27:54,720 COSIMA: Believe me, 473 00:27:54,800 --> 00:27:58,960 right now is the time to resist our predisposition to impulsive behavior. 474 00:27:59,040 --> 00:28:00,560 We need a plan. 475 00:28:00,640 --> 00:28:01,920 You don't have a plan? 476 00:28:02,000 --> 00:28:03,600 No, the plan's a bit of an issue. 477 00:28:03,680 --> 00:28:06,280 Hey, I know where Rachel is. That's enough. 478 00:28:06,360 --> 00:28:08,400 Sarah, what are you gonna do? 479 00:28:08,480 --> 00:28:10,160 Walk into the Dyad with a gun 480 00:28:10,240 --> 00:28:12,440 -and just start shooting people? -Yeah. 481 00:28:12,520 --> 00:28:15,120 Uh, tut-tut-tut-tut. I don't want to know anything. 482 00:28:15,200 --> 00:28:16,840 Leave me out of it. 483 00:28:16,920 --> 00:28:19,400 SIGH Plausible deniability. 484 00:28:19,480 --> 00:28:20,600 Yeah, sure. 485 00:28:20,680 --> 00:28:23,600 I have to be at Sara Stubbs at 9:00 p.m. 486 00:28:23,680 --> 00:28:27,680 to do a fitting and run lines, so break a leg, Sarah. 487 00:28:27,760 --> 00:28:29,160 Thanks again. 488 00:28:29,240 --> 00:28:32,080 This thing at the Dyad, it's, like, a big deal, yeah? 489 00:28:32,160 --> 00:28:37,400 Yeah, big pharma, big agro, VIPs, security. 490 00:28:37,480 --> 00:28:40,360 That's good, that's good. That will be helpful. They'll be busy. 491 00:28:40,440 --> 00:28:42,240 Okay, what are you on to? 492 00:28:42,320 --> 00:28:43,800 SARAH SIGHS 493 00:28:43,880 --> 00:28:45,680 Plausible deniability. 494 00:28:45,760 --> 00:28:47,040 Oh, no. 495 00:28:47,160 --> 00:28:51,200 No, it's easiest just to give Rachel what she wants, yeah? 496 00:28:51,280 --> 00:28:53,960 Me. Just not how she's expecting it. 497 00:28:54,040 --> 00:28:57,200 Okay, even if I agree with what I think you're thinking, 498 00:28:57,280 --> 00:28:59,440 how do you next to Rachel with Daniel in the way? 499 00:28:59,520 --> 00:29:01,080 SARAH SIGHS 500 00:29:01,160 --> 00:29:02,840 Alison's not gonna like it. 501 00:29:07,760 --> 00:29:09,880 PHONE VIBRATING 502 00:29:11,640 --> 00:29:12,960 Paul Dierden. 503 00:29:13,040 --> 00:29:15,600 Paul, it's Sarah. Let me speak to her. 504 00:29:18,160 --> 00:29:19,440 She wants Rachel. 505 00:29:24,400 --> 00:29:27,280 Hi, Sarah. This is Daniel. I speak for Rachel. 506 00:29:27,360 --> 00:29:30,120 I'm ready to make a deal, face to face. 507 00:29:30,200 --> 00:29:31,800 Well, Rachel's a very busy woman, 508 00:29:31,880 --> 00:29:35,480 but if you tell me where you are, I'll bring you to her. 509 00:29:35,560 --> 00:29:37,960 All right. I'll meet you at 9:00 p.m. 510 00:29:38,040 --> 00:29:39,840 I'll be driving the red minivan. 511 00:29:53,200 --> 00:29:56,360 Ah! Oh, my god. Oh, my god! 512 00:29:56,960 --> 00:29:58,880 -Let go! -Ugh! 513 00:29:59,240 --> 00:30:01,120 Ugh! 514 00:30:02,600 --> 00:30:04,560 YELLING IN PAIN 515 00:30:05,720 --> 00:30:07,960 WHISTLE BLOWN 516 00:30:15,840 --> 00:30:17,560 WHISTLE BLOWN 517 00:30:19,720 --> 00:30:21,480 Ah! Ah! 518 00:30:24,280 --> 00:30:25,960 Who in the hell are you? 519 00:30:26,280 --> 00:30:29,600 This is unacceptable. I need to talk to Dr. Leekie right away. 520 00:30:29,680 --> 00:30:32,800 That won't be necessary, ma'am. This is our mistake. 521 00:30:33,360 --> 00:30:34,920 It won't happen again. 522 00:30:41,240 --> 00:30:43,760 AMIABLE CHATTER 523 00:30:47,400 --> 00:30:48,760 Thank you. 524 00:30:50,720 --> 00:30:52,040 Elise! 525 00:31:03,400 --> 00:31:04,680 Shite. 526 00:31:45,960 --> 00:31:47,800 DELPHINE: Cosima. 527 00:31:47,880 --> 00:31:49,400 -Hey. -You came. 528 00:31:53,720 --> 00:31:56,560 You won't regret this. I promise. 529 00:31:57,400 --> 00:31:59,200 Aldous! Look who it is. 530 00:31:59,280 --> 00:32:02,000 -Uh, no, no. -No, no, no, come, come, come. 531 00:32:02,080 --> 00:32:03,600 Mon adversaire. 532 00:32:03,680 --> 00:32:04,720 SARAH CHUCKLES 533 00:32:04,800 --> 00:32:06,600 I wasn't as sure as Delphine that you'd come. 534 00:32:06,680 --> 00:32:08,040 Here I am. 535 00:32:08,120 --> 00:32:10,840 Um, doesn't mean I'm gonna sign your contract, though. 536 00:32:10,920 --> 00:32:12,280 A starting point. 537 00:32:12,360 --> 00:32:14,840 We're in uncharted waters. Really, it's all up to you. 538 00:32:17,160 --> 00:32:20,160 Okay. Then I want my own lab. 539 00:32:20,240 --> 00:32:22,760 ANNOUNCER: In a moment, Dr. Leekie will be welcoming you 540 00:32:22,840 --> 00:32:25,320 to the Dyad Institute. Please stand by. 541 00:32:25,400 --> 00:32:27,720 That's my cue. Cosima. 542 00:32:29,200 --> 00:32:32,080 You have a bright future ahead of you. 543 00:32:34,400 --> 00:32:36,920 This is the best place you could be right now. 544 00:32:38,320 --> 00:32:40,040 Thank you, Dr. Leekie. 545 00:32:43,400 --> 00:32:44,680 HE CHUCKLES 546 00:32:47,240 --> 00:32:49,240 -Enjoy yourself. -Mm. 547 00:32:53,160 --> 00:32:54,560 You're Sarah. 548 00:32:55,080 --> 00:32:56,960 Yeah, nice to meet you too. 549 00:32:57,080 --> 00:32:59,160 Does Cosima know you're doing this? 550 00:32:59,240 --> 00:33:00,880 Depends if I get caught. 551 00:33:02,000 --> 00:33:03,680 Now, where are Kira and Siobhan? 552 00:33:03,920 --> 00:33:05,200 What? 553 00:33:05,520 --> 00:33:06,840 Don't play stupid. 554 00:33:06,920 --> 00:33:09,560 Rachel kidnapped my family. Where are they? 555 00:33:09,640 --> 00:33:11,960 How would I know? I've never even seen Rachel. 556 00:33:12,040 --> 00:33:13,520 I've seen her. 557 00:33:13,840 --> 00:33:16,240 And if you want to keep Cosima out of this, 558 00:33:16,320 --> 00:33:17,800 you're gonna tell me where she is. 559 00:33:17,880 --> 00:33:21,840 Okay. There is serious business going on right now 560 00:33:21,920 --> 00:33:27,280 behind the scenes, and so my guess is that she's using Leekie's wing. 561 00:33:27,360 --> 00:33:29,920 -Where is that? -Down there. 562 00:33:30,280 --> 00:33:31,920 It's impossible to get down there. 563 00:33:32,000 --> 00:33:34,400 You need a specific swipe card for the 10th floor. 564 00:33:34,480 --> 00:33:36,080 Like this? 565 00:33:36,160 --> 00:33:38,480 You're going to get yourself killed. 566 00:33:38,560 --> 00:33:40,080 Miss Cormier? DELPHINE GASPS 567 00:33:40,160 --> 00:33:42,320 ANNOUNCER: Please welcome Dr. Leekie. 568 00:33:42,400 --> 00:33:44,080 APPLAUSE 569 00:33:46,320 --> 00:33:48,280 Thank you, everyone. 570 00:33:48,360 --> 00:33:51,440 I am Dr. Aldous Leekie, 571 00:33:51,520 --> 00:33:54,120 director of the Dyad Institute, 572 00:33:54,200 --> 00:33:57,400 and it is my great pleasure to welcome you here 573 00:33:57,480 --> 00:34:02,760 on behalf of the entire Dyad Group of companies. 574 00:34:03,440 --> 00:34:05,000 The keystone... BEEP 575 00:34:05,080 --> 00:34:09,320 ...of the original Dyad Institute was set here in 1918. 576 00:34:09,400 --> 00:34:11,080 APPLAUSE 577 00:34:11,800 --> 00:34:14,600 Today, worldwide, 578 00:34:14,680 --> 00:34:20,360 the overwhelming majority of biotech research is funded by private capital, 579 00:34:20,440 --> 00:34:24,720 and today, the Dyad Group spans the globe. 580 00:34:24,800 --> 00:34:28,200 We employ 27,000 souls 581 00:34:28,280 --> 00:34:30,800 in 134 countries, 582 00:34:30,880 --> 00:34:33,560 including Vatican City. 583 00:34:33,640 --> 00:34:34,960 APPLAUSE 584 00:34:36,560 --> 00:34:40,880 The age of biotechnology is upon us. 585 00:34:41,040 --> 00:34:46,240 It is the moral responsibility of visionaries like us 586 00:34:47,040 --> 00:34:51,720 to continue healing, feeding, and fueling 587 00:34:51,800 --> 00:34:54,960 the future of humanity. 588 00:34:55,040 --> 00:34:56,800 APPLAUSE 589 00:34:57,000 --> 00:34:59,600 The recent Supreme Court decision... 590 00:34:59,680 --> 00:35:01,600 MAN TRANSLATING INTO KOREAN 591 00:35:01,680 --> 00:35:03,720 ...characterizing the legal status 592 00:35:03,800 --> 00:35:07,120 of natural versus synthetic DNA 593 00:35:07,200 --> 00:35:11,320 was the successful result of our lobbying strategies. 594 00:35:11,400 --> 00:35:15,640 MAN TRANSLATING INTO KOREAN 595 00:35:15,720 --> 00:35:20,200 We are proceeding with the next tranche of patent claims. 596 00:35:20,480 --> 00:35:21,920 MAN SPEAKING KOREAN 597 00:35:55,680 --> 00:35:57,600 Good, you made it. 598 00:35:58,560 --> 00:36:00,200 I want my daughter. 599 00:36:01,320 --> 00:36:04,200 Of course, and we want you to be together, 600 00:36:04,920 --> 00:36:09,000 but my people found your foster mother's house overturned. 601 00:36:09,080 --> 00:36:10,720 They were gone when we got there. 602 00:36:10,800 --> 00:36:13,840 -You're lying. -I lied to get you here. 603 00:36:13,920 --> 00:36:15,480 But we don't have them. 604 00:36:18,640 --> 00:36:21,960 Kira's here, and I want to see her now. 605 00:36:23,160 --> 00:36:25,280 You're not going to shoot me, Sarah. 606 00:36:25,480 --> 00:36:27,800 GUNSHOT 607 00:36:27,880 --> 00:36:30,080 If you don't have her, you're dead! 608 00:36:30,160 --> 00:36:32,960 There are other forces vying for our fate, Sarah. 609 00:36:33,040 --> 00:36:35,280 We'll get Kira back together. 610 00:36:39,760 --> 00:36:41,800 Nobody lays hands on me. 611 00:36:42,040 --> 00:36:43,840 You don't own us. 612 00:36:47,320 --> 00:36:50,240 GUN COCKING Sarah, put it down. 613 00:37:03,400 --> 00:37:05,400 -Where is Kira? -They don't have her. 614 00:37:05,480 --> 00:37:08,680 They were playing me too. Now lower the gun. 615 00:37:08,760 --> 00:37:10,440 And what are you, her bodyguard now? 616 00:37:10,520 --> 00:37:13,040 It's you they want. It is over, Sarah. 617 00:37:15,120 --> 00:37:16,720 Turn around. 618 00:37:31,280 --> 00:37:32,680 In the face? 619 00:37:33,320 --> 00:37:34,640 Sorry. 620 00:37:37,520 --> 00:37:38,760 Go. 621 00:37:39,360 --> 00:37:41,160 I'll figure out something to tell 'em. 622 00:38:04,560 --> 00:38:06,160 Hey, it's me. 623 00:38:06,960 --> 00:38:09,080 Jesus Christ. You are like a bad smell. 624 00:38:09,840 --> 00:38:12,000 Look, I didn't know where else to go. 625 00:38:29,000 --> 00:38:30,520 Maggie Chen? 626 00:38:39,840 --> 00:38:41,680 What, you're not having one? 627 00:38:41,760 --> 00:38:43,520 I want it straight up. 628 00:38:44,440 --> 00:38:45,840 SHE SIGHS 629 00:38:48,720 --> 00:38:51,120 It wasn't them, Art, the Dyad people. 630 00:38:51,200 --> 00:38:52,640 Somebody else took Kira. 631 00:38:54,560 --> 00:38:55,800 I know. 632 00:38:59,160 --> 00:39:00,400 What? 633 00:39:00,480 --> 00:39:03,400 The feds are calling the diner thing domestic terrorism. 634 00:39:03,600 --> 00:39:05,720 The cowboy that took the shotgun blast was 635 00:39:05,800 --> 00:39:09,280 a religious extremist, like Maggie Chen, 636 00:39:10,080 --> 00:39:11,480 a Prolethean. 637 00:39:12,040 --> 00:39:13,560 Helena's people. 638 00:39:15,440 --> 00:39:17,200 Why don't we start with that? 639 00:39:22,560 --> 00:39:23,960 Who is Helena? 640 00:39:28,720 --> 00:39:30,960 Are you sure you want to know what this is all about? 641 00:39:32,360 --> 00:39:33,880 I guess we'll find out. 642 00:39:55,720 --> 00:39:57,280 Excuse me. 643 00:39:57,360 --> 00:39:58,720 BREATHING WITH DIFFICULTY 644 00:39:58,800 --> 00:40:00,840 My sestra shot me. 645 00:40:01,200 --> 00:40:02,920 I need some help here! Trauma team! 646 00:40:03,040 --> 00:40:05,960 Okay, no, we need a nurse here right now. 647 00:40:06,240 --> 00:40:08,880 Gunshot wound. Call it in, call it in! 648 00:40:10,040 --> 00:40:12,760 -Pressure! -Gunshot through the back. 649 00:40:13,040 --> 00:40:16,040 Get her up. Ready? Now. 650 00:40:18,280 --> 00:40:20,600 -We need to get her in... -Move it! 651 00:40:43,360 --> 00:40:44,840 Look at the camera. 652 00:40:50,240 --> 00:40:53,000 Shot point-blank in the chest and she walks in? How is she even alive? 653 00:40:53,080 --> 00:40:54,720 We remember Aynsley's warmth. 654 00:40:54,800 --> 00:40:56,400 I killed Aynsley! 655 00:40:56,480 --> 00:40:58,480 I watched it happen, Felix. 656 00:40:58,560 --> 00:41:00,280 I didn't do anything about it. 657 00:41:00,360 --> 00:41:03,800 The old wing is where our most sensitive research takes place. 658 00:41:03,880 --> 00:41:05,320 So, this is where you keep the clones. 659 00:41:05,400 --> 00:41:08,320 Rachel takes insult very personally. 660 00:41:08,400 --> 00:41:10,600 -Would you leave us, please? -Yes, of course. 661 00:41:10,680 --> 00:41:12,160 Kira? Hello? 662 00:41:12,240 --> 00:41:14,680 They're gone, young girl matching Kira's description with some guy. 663 00:41:14,760 --> 00:41:16,960 -I said get your hands on the car. -You're gonna regret this. 664 00:41:17,040 --> 00:41:18,200 GASPING